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f.1A, Double arch
f. 1B, Oviedo cross
f. 9r, Angels with Matthew’s gospel
f. 9v, St Mark the Evangelist enthroned and a standing witness
f. 2A, Genealogy of Sem
f. 3r, Genealogy of Abraham
f. 2C, Annunciation/Epiphany
f. 3A, God gives the book to the angel, who then gives it to John
f. 42r, The message to the Church of Ephesus
f. 44v, The message to the Church of Smyrna
f. 48v, The message to the Church of Pergamum
f. 51v, The message to the Church of Thyatira
f. 4A, The message to the Church of Sardis
f. 5A, The message to the Church of Philadelphia
f. 63r, The message to the Church of Laodicea
f. 8A, The angel with the first trumpet
f. 10A, The angel with the fifth trumpet
f. 96r, The angel with the second trumpet: the burning mountain is cast into the sea
f. 96v, The angel with third trumpet: the great, burning star
f. 9B, The angel with the fourth trumpet: the eclipse
f. 11B, The angel with the sext trumpet: the angels of the river Euphrates
f. 106r, The Antichrist kills the two witnesses
f. 13B, Tables of the Antichrist

Cardeña Beatus

"Unique and unrepeatable first edition, strictly limited to 987 numbered and authenticated copies"

Codex of the Monastery of San Pedro de Cardeña

f. 96r, The angel with the second trumpet: the burning mountain is cast into the sea
f. 96r, The angel with the second trumpet: the burning mountain is cast into the sea. The square-shaped illustration, undoubtedl...

The square-shaped illustration, undoubtedly the work of Magius, appears in a similar fashion in both branches IIa and IIb. As in the Escalada Beatus, the Gerona, Valcavado and Fernando I miniaturists employ exquisite frames–a style evolving towards the simplicity of the San Pedro de Cardeña Beatus, which lacks the mons ardens inscription found in the Rylands Beatus. The San Pedro de Cardeña Beatus illustration is one of its artist’s most brilliant and colourful with sepia, blue, red, green and gold tones in a feast of elegant and finely executed drawing. Certain details such as sunken ships and fish in the sea are missing whilst in the Arroyo Beatus, they constitute a detailed and accurate description of the vessels of that period. As Williams points out, the naked corpses can only be explained as shipwreck victims. They are of the same number in the Valcavado codex, but increase to six in the Manchester (f. 127v) and the Gerona Beatus.


«Unique and unrepeatable first edition,
strictly limited to 987 numbered and authenticated copies»


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