The Hours of Maria of Navarre

On 26 April 1342, Peter the Ceremonious wrote to his wife, Queen Mary of Navarre, asking her to send him from Valencia, as quickly as possible, the extremely beautiful book of hours painted by Ferrer Bassa (oras pulcriores...quas depinxit Pferrarius Bassa). The document emphasises that this extraordinary work of art was admired far and wide and not only by a king whose meticulousness, love of detail and desire for perfection caused him to be known as Ceremonious.

The Book of Hours of Maria of Navarre has been considered to be the first, fascinating and early representative of the globalisation of culture. It combines a wealth of lavish illustrations with a rich liturgical content featuring practically exclusive offices, such as the hours in honour of her direct ascendant, St Louis.

The scenes painted in this magnificent manuscript reveal the Sienese influence which softens the plastic language imposed by Giotto and incorporates the rhythm and vitality of Gothic drawings, resulting in smoother forms and more harmonious compositions.
Familiar, intimist details combine with the great sensuality used to depict materials to make this codex – Peter the Ceremonious’s favourite manuscript – the finest of Ferrer Bassa’s oeuvre, his masterpiece and the greatest expression of his art. A perfect example of how the artist used different influences in an eclectic and personal manner, without letting any leave their stamp upon him, to create a personal, original and unmistakable style.

The Book of Hours of Maria of Navarre also has the honour of being the first book of hours to be painted on the Iberian Peninsula.

The Hours of Maria of Navarre



On 26 April 1342, Peter the Ceremonious wrote to his wife, Queen Mary of Navarre, asking her to send him from Valencia, as quickly as possible, the extremely beautiful book of hours painted by Ferrer Bassa (oras pulcriores...quas depinxit Pferrarius Bassa). The document emphasises that this extraordinary work of art was admired far and wide and not only by a king whose meticulousness, love of detail and desire for perfection caused him to be known as Ceremonious.

The Book of Hours of Maria of Navarre has been considered to be the first, fascinating and early representative of the globalisation of culture. It combines a wealth of lavish illustrations with a rich liturgical content featuring practically exclusive offices, such as the hours in honour of her direct ascendant, St Louis.

The scenes painted in this magnificent manuscript reveal the Sienese influence which softens the plastic language imposed by Giotto and incorporates the rhythm and vitality of Gothic drawings, resulting in smoother forms and more harmonious compositions.
Familiar, intimist details combine with the great sensuality used to depict materials to make this codex – Peter the Ceremonious’s favourite manuscript – the finest of Ferrer Bassa’s oeuvre, his masterpiece and the greatest expression of his art. A perfect example of how the artist used different influences in an eclectic and personal manner, without letting any leave their stamp upon him, to create a personal, original and unmistakable style.

The Book of Hours of Maria of Navarre also has the honour of being the first book of hours to be painted on the Iberian Peninsula.


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On 26 April 1342, Peter the Ceremonious wrote to his wife, Queen Mary of Navarre, asking her to send him from Valencia, as quickly as possible, the extremely beautiful book of hours painted by Ferrer Bassa (oras pulcriores...quas depinxit Pferrarius Bassa). The document emphasises that this extraordinary work of art was admired far and wide and not only by a king whose meticulousness, love of detail and desire for perfection caused him to be known as Ceremonious.

The Book of Hours of Maria of Navarre has been considered to be the first, fascinating and early representative of the globalisation of culture. It combines a wealth of lavish illustrations with a rich liturgical content featuring practically exclusive offices, such as the hours in honour of her direct ascendant, St Louis.

The scenes painted in this magnificent manuscript reveal the Sienese influence which softens the plastic language imposed by Giotto and incorporates the rhythm and vitality of Gothic drawings, resulting in smoother forms and more harmonious compositions.
Familiar, intimist details combine with the great sensuality used to depict materials to make this codex – Peter the Ceremonious’s favourite manuscript – the finest of Ferrer Bassa’s oeuvre, his masterpiece and the greatest expression of his art. A perfect example of how the artist used different influences in an eclectic and personal manner, without letting any leave their stamp upon him, to create a personal, original and unmistakable style.

The Book of Hours of Maria of Navarre also has the honour of being the first book of hours to be painted on the Iberian Peninsula.

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Format: 210 x 300 mm
Pages: 600
Illustrations: 64
Language: Spanish with an abstract in English and German
ISBN: 978-84-88526-18-2

CONTENTS:

Del editor al lector

Introducción
Marino Zorzi (Director de la Biblioteca Nazionale Marciana)

Noticias codicológicas y sobre su procedencia
Susy Marcon (Biblioteca Nazionale Marciana de Venecia)

Estudio paleográfico
Mª Josefa Arnall (Universidad de Barcelona)

María de Navarra y la ilustración del libro de horas de la Biblioteca Nazionale Marciana
Joaquín Yarza Luaces (Universidad Autónoma de Barcelona)

Transcripción
Mª Josefa Arnall

Traducción
J. M. García de la Mora (Universidad de Barcelona)

Paläographische Auswertung
Mª Josefa Arnall (Universidad de Barcelona)

Historische und künstlerische Auswertung
Joaquín Yarza Luaces (Universidad Autónoma de Barcelona)

A paleographic assessment
Mª Josefa Arnall (Universidad de Barcelona)

A historical and artistic assessment
Joaquín Yarza Luaces (Universidad Autónoma de Barcelona)

 

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